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Theory and History of Architecture

This doctoral programme is designed for architects or graduates in the humanities, archaeology or fine arts who hold a master’s degree in architecture, archaeology or the humanities, identical or equivalent to the master’s programme offered by the Department and who wish to write a doctoral thesis on the history or theory of arts and architecture supervised by one of the professors from the Department. The creation of this thesis may require bridging courses be taken from the master’s programme, as the doctoral programme does not offer classes.

The thesis, on a novel subject matter or taking a new approach, supported by primary and secondary sources, drafted in English or Spanish, on a topic involving the history or theory of art or architecture, will be carried out in two stages: the first, a year of research during which candidates will come up with a research plan that must be submitted to and approved of by a panel, and the second, the execution of said thesis. Thesis supervisors and the Doctoral Committee, along with two external reports, will assess and accept the thesis before it may be presented to an examination committee.

The department will provide candidates with access to the library and School databases.

COORDINATOR

Ramon Graells, Antoni

CONTACT

Secretary’s Office for Doctoral Programmes in Architecture
Tel.: 934 011 875
Secretariadoctorat.utgab@upc.edu

Programme website

General information

Access profile

Given the multidisciplinary nature of the scientific field of the programme, there are a wide range of degrees that qualify applicants for admission.

In general, the programme is directed at those who are interested and who, in addition to meeting the standard credit requirements, are prepared and have interest in carrying out research with assistance from the professors in the programme. Thus, preference will be given to applicants that have previously completed a master’s programme in a related subject matter and are interested in the lines of research considered in the programme, and who are mature, able to express themselves clearly and have research experience.

Specific admission requirements
To give more detail, applicants’ academic backgrounds must meet the following requirements:
Candidates must have completed undergraduate and master’s studies in architecture, geography, history, history of art or the humanities (or less similar fields such as archaeology, journalism, tourism, etc.) and must be interested in carrying out doctoral-level research in an area related to the theory and history of architecture, art and cities. Compliance with these requirements will be assessed by weighting the measures that follow:
• The appropriateness of applicants’ undergraduate and master’s background in terms of contents and performance.
• Level of maturity, measured via candidates’ explanations of their academic backgrounds, research interests and motivations.
• Previous research experience via collaborations and publications in which the candidate has participated.
• Similarity of the proposal with programme research groups’ and professors’ lines of work.
It is important that applicants’ academic intentions and interests line up with the areas and lines of research that are followed by professors in this doctoral programme.
You can find information about said master’s programme at the following link: https://www.upc.edu/es/masteres/estudios-avanzados-en-arquitectura-barcelona-mbarch.

The following requirements have also been established:

• Applicants must have command of Spanish and English; knowledge of other languages will be considered positively, as it allows access to a wide range of bibliographic resources.
• In order to define what bridging courses will be necessary for students to be admitted to the programme, the applicant’s background and research experience will be considered.

Output profile

Doctoral candidates who complete a doctoral degree will have acquired the following competencies, which are needed to carry out quality research (Royal Decree 99/2011, of 28 January, which regulates official doctoral studies):

a) A systematic understanding of the field of study and a mastery of the research skills and methods related to the field.
b) An ability to conceive, design or create, put into practice and adopt a substantial process of research or creation.
c) An ability to contribute to pushing back the frontiers of knowledge through original research.
d) A capacity for critical analysis and an ability to assess and summarise new and complex ideas.
e) An ability to communicate with the academic and scientific community and with society in general as regards their fields of knowledge in the manner and languages that are typical of the international scientific community to which they belong.
f) An ability to foster scientific, technological, social, artistic and cultural progress in academic and professional contexts within a knowledge-based society.

The award of a doctoral degree must equip the graduate for work in a variety of settings, especially those requiring creativity and innovation. Doctoral graduates must have at least acquired the personal skills needed to:

a) Develop in contexts in which there is little specific information.
b) Find the key questions that must be answered to solve a complex problem.
c) Design, create, develop and undertake original, innovative projects in their field.
d) Work as part of a team and independently in an international or multidisciplinary context.
e) Integrate knowledge, deal with complexity and make judgements with limited information.
f) Offer criticism on and intellectually defend solutions.

Finally, with respect to competencies, doctoral students must:
a) have acquired advanced knowledge at the frontier of their discipline and demonstrated, in the context of internationally recognised scientific research, a deep, detailed and well-grounded understanding of theoretical and practical issues and scientific methodology in one or more research fields;
b) have made an original and significant contribution to scientific research in their field of expertise that has been recognised as such by the international scientific community;
c) have demonstrated that they are capable of designing a research project that serves as a framework for carrying out a critical analysis and assessment of imprecise situations, in which they are able to apply their contributions, expertise and working method to synthesise new and complex ideas that yield a deeper knowledge of the research context in which they work;
d) have developed sufficient autonomy to set up, manage and lead innovative research teams and projects and scientific collaborations (both national and international) within their subject area, in multidisciplinary contexts and, where appropriate, with a substantial element of knowledge transfer;
e) have demonstrated that they are able to carry out their research activity in a socially responsible manner and with scientific integrity;
f) have demonstrated, within their specific scientific context, that they are able to make cultural, social or technological advances and promote innovation in all areas within a knowledge-based society;
g) have demonstrated that they are able to participate in scientific discussions at the international level in their field of expertise and disseminate the results of their research activity to audiences of all kinds.

Number of places

8

Duration of studies and dedication regime

Duration
The maximum period of study for full-time doctoral studies is three years, counted from the date of admission to the programme to the date of submission of the doctoral thesis. The academic committee of the doctoral programme may authorise a doctoral candidate to pursue doctoral studies on a part-time basis. In this case, the maximum period of study is five years, counting from the date of admission to the programme to the date of submission of the doctoral thesis. For calculating these periods, the date of admission is considered to be the date of the first enrolment for tutorials, and the date of submission the moment in which the Doctoral School officially deposits the doctoral thesis.

For full-time doctoral candidates, the minimum period of study is two years, counted from the date of an applicant's admission to the programme until the date on which the doctoral thesis is deposited; for part-time doctoral candidates it is four years. When there are justified grounds for doing so, and the thesis supervisor and academic tutor have given their authorisation, doctoral candidates may request that the academic committee of their doctoral programme exempt them from the minimum period of study requirement.

The calculation of periods of study will not include periods of absence due to illness, pregnancy or any other reason provided for in the regulations in force. Students who find themselves in any of these circumstances must notify the academic committee of the doctoral programme, which, where appropriate, must inform the Doctoral School. Doctoral candidates may also temporarily withdraw from the programme for up to one year, and this period may be extended for an additional year. Doctoral candidates who wish to interrupt their studies must submit a justified request to the academic committee of the doctoral programme, which will decide whether or not to approve the request. Each programme will establish conditions for readmission to doctoral studies.

Extension
If full-time doctoral candidates have not applied to deposit their thesis by the end of the three-year period of study, the academic committee of the programme may authorise an extension of up to one year. In exceptional circumstances, a further one-year extension may be granted, subject to the conditions established by the corresponding doctoral programme. In the case of part-time doctoral candidates, an extension of two years may be authorised. In both cases, in exceptional circumstances a further one-year extension may be granted by the Doctoral School's Standing Committee, upon the submission of a reasoned application by the academic committee of the doctoral programme.

Dismissal from the doctoral programme
A doctoral candidate may be dismissed from a doctoral programme for the following reasons:

  • The doctoral candidate submitting a justified application to withdraw from the programme.
  • The maximum period of study and of extensions thereof ending.
  • The doctoral candidate not having enrolled every academic year (unless he or she has been authorised to temporarily withdraw).
  • The doctoral candidate failing two consecutive assessments.
  • The doctoral candidate having disciplinary proceedings filed against him or her that rule that he or she must be dismissed from the UPC.

Dismissal from the programme implies that doctoral candidates cannot continue studying at the UPC and the closing of their academic record. This notwithstanding, they may apply to the academic committee of the programme for readmission and the committee must reevaluate them in accordance with the criteria established in the regulations.

Organization

COORDINATOR:
ACADEMIC COMMISSION OF THE PROGRAM:
STRUCTURAL UNITS:
  • Department of History and Theory of Architecture and Communication Techniques (PROMOTORA)
Specific URL of the doctoral program:
https://etsab.upc.edu/en/studies/doctoral-programmes

CONTACT:
Secretary’s Office for Doctoral Programmes in Architecture
Tel.: 934 011 875
Secretariadoctorat.utgab@upc.edu

Agreements with other institutions

On the international level, the programme has collaborated consistently over the last ten years, with professors from various doctoral programmes at the following institutions: Politecnico di Torino, Politecnico di Milano, the Department of Architecture at the University of Ferrara, Università di Roma La Sapienza, the University of Bologna, Università di Venezia (IUAV), the University of Trieste, the University of L’Aquila, Instituto Superior Técnico, UTL Lisboa, the Faculty of Architecture at the University of Porto, École Nationale Supérieure d’Architecture Paris-Malaquais, HafenCity Universität Hamburg, Aristotle University of Thessaloniki. Professors from various Latin-American universities also participate in the programme, including: Universidad del Litoral (Santa Fe, Argentina), Mackenzie Presbyterian University (São Paulo, Brazil), Universidad Federal de Bahia (Salvador de Bahia, Brazil), Universidad de Palermo (Buenos Aires, Argentina), Universidad Nacional de la Plata, UNC (Córdoba, Argentina), the Faculty of Architecture at the National Autonomous University of Mexico, etc.

Because of the lines of research associated with the programme, we have kept a close relationship with various institutions, such as the Historical Archives at the Architects’ Association of Catalonia (COAC), the Barcelona History Museum (MUHBA), the Centre de Cultura Contemporània de Barcelona (CCCB), Arts Santa Mònica and the Queen Sofia National Art Museum in Madrid. As per the stipulations in the new Decree, agreements have been set up with these institutions to incorporate them as external partners of the programme. The top two institutions, due to their regular collaboration with programme and because they have similar strategic research missions, are the Historical Archives at the COAC and the MUHBA.

Access, admission and registration

Access profile

Given the multidisciplinary nature of the scientific field of the programme, there are a wide range of degrees that qualify applicants for admission.

In general, the programme is directed at those who are interested and who, in addition to meeting the standard credit requirements, are prepared and have interest in carrying out research with assistance from the professors in the programme. Thus, preference will be given to applicants that have previously completed a master’s programme in a related subject matter and are interested in the lines of research considered in the programme, and who are mature, able to express themselves clearly and have research experience.

Specific admission requirements
To give more detail, applicants’ academic backgrounds must meet the following requirements:
Candidates must have completed undergraduate and master’s studies in architecture, geography, history, history of art or the humanities (or less similar fields such as archaeology, journalism, tourism, etc.) and must be interested in carrying out doctoral-level research in an area related to the theory and history of architecture, art and cities. Compliance with these requirements will be assessed by weighting the measures that follow:
• The appropriateness of applicants’ undergraduate and master’s background in terms of contents and performance.
• Level of maturity, measured via candidates’ explanations of their academic backgrounds, research interests and motivations.
• Previous research experience via collaborations and publications in which the candidate has participated.
• Similarity of the proposal with programme research groups’ and professors’ lines of work.
It is important that applicants’ academic intentions and interests line up with the areas and lines of research that are followed by professors in this doctoral programme.
You can find information about said master’s programme at the following link: https://www.upc.edu/es/masteres/estudios-avanzados-en-arquitectura-barcelona-mbarch.

The following requirements have also been established:

• Applicants must have command of Spanish and English; knowledge of other languages will be considered positively, as it allows access to a wide range of bibliographic resources.
• In order to define what bridging courses will be necessary for students to be admitted to the programme, the applicant’s background and research experience will be considered.

Access requirements

Applicants must hold a Spanish bachelor’s degree or equivalent and a Spanish master’s degree or equivalent, provided they have completed a minimum of 300 ECTS credits on the two degrees (Royal Decree 43/2015, of 2 February)

In addition, the following may apply:

  • Holders of an official degree awarded by a university in Spain or any other country in the European Higher Education Area, pursuant to the provisions of Article 16 of Royal Decree 1393/2007, of 29 October, which establishes official university course regulations, who have completed a minimum of 300 ECTS credits on official university degrees, of which at least 60 must be at the master's degree level.
  • Holders of an official Spanish bachelor’s degree comprising at least 300 credits, as provided for by EU regulations. Holder of degrees of this kind must complete bridging courses unless the curriculum of the bachelor’s degree in question included research training credits equivalent in value to those which would be earned on a master's degree.
  • Holders of an official university qualification who, having passed the entrance examination for specialised medical training, have completed at least two years of a training course leading to an official degree in a health-sciences specialisation.
  • Holders of a degree issued under a foreign education system. In these cases, homologation is not required, but the UPC must verify that the degree certifies a level of training equivalent to an official Spanish master's degree and qualifies the holder for admission to doctoral studies in the country where it was issued. Admission on this basis does not imply homologation of the foreign degree or its recognition for any purpose other than admission to doctoral studies.
  • Holders of a Spanish doctoral qualification issued under previous university regulations.
  • Note 1: Doctoral studies entrance regulations for holders of an undergraduate degree awarded before the introduction of the EHEA (CG 47/02 2014)

    Note 2: Governing Council Decision 64/2014, which approves the procedure and criteria for assessing the fulfilment of academic admission requirements for doctoral studies by holders of non-homologated foreign degrees (CG 25/03 2014)

Admission criteria and merits assessment

Candidates must have a high level of knowledge to be admitted to the programme and to successfully complete the required research for their theses on time.
• Academic transcript (weighting: 15%).
• Personal contact via e-mail and telephone interviews (weighting: 30%).
• Motivation letter (weighting: 30%).
• Knowledge of languages (weighting: 15%). Value that could be changed depending on the kind of research that the applicant wishes to carry out.
• Research experience (weighting: 10%).

Training complements

The academic committee for the programme may require that doctoral students pass specific bridging courses. In this case, the Committee will monitor the bridging courses and set up appropriate criteria to limit their length.

The courses shall involve training in research, but in no case will candidates be required to enrol in 60 or more ECTS credits.

Upon admission, the Academic Committee will assign a supervisor to each new candidate, and for those who did not take the master’s programme in Theory and History of Architecture or the MBArch master’s programme in Advanced Architecture Studies-Barcelona specialisation in Theory, History and Culture, bridging courses will be assigned from these programmes.

The number and type of subjects ideal for complementing applicants’ training will depend on their academic backgrounds and the expectations expressed in their motivation letters.

Enrolment period for new doctoral students

First enrolment will take place after the admission decision, if it is issued after the general enrolment period.

More information at the registration section for new doctoral students

Enrolment period

Enrolment, generally, takes place during the month of October.

More information at the general registration section

Monitoring and evaluation of the doctoral student

Procedure for the preparation and defense of the research plan

Doctoral candidates must submit a research plan, which will be included in their doctoral student activity report, before the end of the first year. The plan may be improved over the course of the doctoral degree. It must be endorsed by the tutor and the supervisor, and it must include the method that is to be followed and the aims of the research.

At least one of these annual assessments will include a public presentation and defence of the research plan and work done before a committee composed of three doctoral degree holders, which will be conducted in the manner determined by each academic committee. The examination committee awards a Pass or Fail mark. A Pass mark is a prerequisite for continuing on the doctoral programme. Doctoral candidates awarded a Fail mark must submit a new research plan for assessment by the academic committee of the doctoral programme within six months.

The committee assesses the research plan every year, in addition to all of the other activities in the doctoral student activity report. Doctoral candidates who are awarded two consecutive Fail marks for the research plan will be obliged to definitely withdraw from the programme.

If they change the subject of their thesis, they must submit a new research plan.

Formation activities

Activity: Tutorial.
Hours: 288.
Compulsory.

Activity: Publications.
Hours: 200.
To be completed during the stage of drafting the thesis.
Optional.

Activity: Participation in research projects associated with the doctoral programme.
Hours: 120.
Dedication will depend on the similarity between research topics, but as a guide, will require a minimum of 10 hours per week during at least three months.
Optional.

Activity: Mobility.
Hours: 480.
Optional.

Activity: Assessment based on doctoral student activity report (DAD) and research plan.
Hours: 4.
Compulsory.

Activity: Training in information skills.
Hours: 1.5.
Compulsory.

Activity: Research methodology.
Hours: 12.
Optional.

Activity: Innovation and creativity.
Hours: 8.
Optional.

Activity: Language and communication skills.
Hours: 18.
Optional.

Activity: Courses and seminars.
Hours: 50.
To be completed at the beginning of training.
Optional.

Activity: Workshops.
Hours: 15.
Optional.

Procedure for assignment of tutor and thesis director

The academic committee of the doctoral programme assigns a thesis supervisor to each doctoral candidate when they are admitted or enrol for the first time, taking account of the thesis supervision commitment referred to in the admission decision.

The thesis supervisor will ensure that training activities carried out by the doctoral candidate are coherent and suitable, and that the topic of the candidate’s doctoral thesis will have an impact and make a novel contribution to knowledge in the relevant field. The thesis supervisor will also guide the doctoral candidate in planning the thesis and, if necessary, tailoring it to any other projects or activities undertaken. The thesis supervisor will generally be a UPC professor or researcher who holds a doctoral degree and has documented research experience. This includes PhD-holding staff at associated schools (as determined by the Governing Council) and UPC-affiliated research institutes (in accordance with corresponding collaboration and affiliation agreements). When thesis supervisors are UPC staff members, they also act as the doctoral candidate’s tutor.

PhD holders who do not meet these criteria (as a result of their contractual relationship or the nature of the institution to which they are attached) must be approved by the UPC Doctoral School's Standing Committee in order to participate in a doctoral programme as researchers with documented research experience.

The academic committee of the doctoral programme may approve the appointment of a PhD-holding expert who is not a UPC staff member as a candidate’s thesis supervisor. In such cases, the prior authorisation of the UPC Doctoral School's Standing Committee is required. A UPC staff member who holds a doctoral degree and has documented research experience must also be proposed to act as a co-supervisor, or as the doctoral candidate’s tutor if one has not been assigned.

A thesis supervisor may step down from this role if there are justified reasons (recognised as valid by the committee) for doing so. If this occurs, the academic committee of the doctoral programme will assign the doctoral candidate a new thesis supervisor.

Provided there are justified reasons for doing so, and after hearing any relevant input from the doctoral candidate, the academic committee of the doctoral programme may assign a new thesis supervisor at any time during the period of doctoral study.

If there are academic reasons for doing so (an interdisciplinary topic, joint or international programmes, etc.) and the academic committee of the programme gives its approval, an additional thesis supervisor may be assigned. Supervisors and co-supervisors have the same responsibilities and academic recognition.

The maximum number of supervisors of a doctoral thesis is two: a supervisor and a co-supervisor.

For theses carried out under a cotutelle agreement or as part of an Industrial Doctorate, if necessary and if the agreement foresees it this maximum number of supervisors may not apply. This notwithstanding, the maximum number of supervisors belonging to the UPC is two.

More information at the PhD theses section

Permanence

The academic committee of the programme may authorise an extension of up to one year for full-time doctoral candidates who have not applied to deposit their thesis by the end of the three-year period of study, in the terms outlined in the Academic Regulations for Doctoral Studies of the Universitat Politècnica de Catalunya. In the case of part-time candidates, an extension of two years may be authorised. In both cases, in exceptional circumstances a further one-year extension may be granted by the Doctoral School's Standing Committee, upon the submission of a reasoned application by the academic committee of the doctoral programme.

A doctoral candidate may be dismissed from a doctoral programme for the following reasons:

  • The doctoral candidate submitting a justified application to withdraw from the programme.
  • The maximum period of study and of extensions thereof ending.
  • The doctoral candidate not having enrolled every academic year (unless he or she has been authorised to temporarily withdraw).
  • The doctoral candidate failing two consecutive assessments.
  • The doctoral candidate having disciplinary proceedings filed against him or her that rule that he or she must be dismissed from the UPC.

Dismissal from the programme implies that doctoral candidates cannot continue studying at the UPC and the closing of their academic record. This notwithstanding, they may apply to the academic committee of the programme for readmission and the committee must reevaluate them in accordance with the criteria established in the regulations.

International Mention

The doctoral degree certificate may include International Doctorate mention. In this case, the doctoral candidate must meet the following requirements:

a) During the period of study leading to the award of the doctoral degree, the doctoral candidate must have spent at least three months at a respected higher education institution or research centre outside Spain to complete courses or do research work. The stays and activities carried out must be endorsed by the thesis supervisor and authorised by the academic committee of the programme. The candidate must provide a certifying document issued by the person responsible for the research group of the body or bodies where the stay or activity was completed. This information will be added to the doctoral student’s activity report.
b) Part of the thesis (at least the summary and conclusions) must be written and presented in one of the languages commonly used for science communication in the relevant field of knowledge, which must not be an official language of Spain. This rule does not apply to stays and reports in Spanish or to experts from Spanish-speaking countries.
c) At least two PhD-holding experts belonging to a higher education institution or research centre outside Spain must have issued officially certified reports on the thesis.
d) The thesis examination committee must have included at least one PhD-holding expert from a higher education or research institution outside Spain who was not responsible for the candidate’s stay abroad (point a) above).
e) The thesis defence must have taken place on UPC premises or, in the case of joint programmes, at the location specified in the collaboration agreement.

Learning resources

With regards to resources, the support that our programme receives from University services and UPC libraries is significant and provides us with access to experts in information and documentation resources to thus prepare candidates with specific information and documentation techniques and tools.


Fundamental parts of this learning takes places in the following places:

• In computer rooms that are available to candidates.
• In the ETSAB library’s seminar room, where bibliographic and document collections can be worked with directly.

Doctoral Theses

List of authorized thesis for defense

No hi ha registres per mostrar.

Last update: 19/05/2022 04:45:30.

List of lodged theses

  • ARRIBAS SANCHEZ, CRISTINA: Metapostales: la imagen moderna de España a través de las tarjetas postales en el boom desarrollista
    Author: ARRIBAS SANCHEZ, CRISTINA
    Thesis file: (contact the Doctoral School to confirm you have a valid doctoral degree and to get the link to the thesis)
    Programme: DOCTORAL DEGREE IN THEORY AND HISTORY OF ARCHITECTURE
    Department: (THATC)
    Mode: Normal
    Deposit date: 17/05/2022
    Reading date: pending
    Reading time: pending
    Reading place: pending
    Thesis director: LAHUERTA ALSINA, JUAN JOSE | PIZZA DE NANNO, ANTONIO
    Committee:
         PRESIDENT: DÍAZ CUYÁS, JOSÉ MARÍA
         SECRETARI: MARÍN VEGA, CELIA
         VOCAL: COSTA VILA, JORGE
    Thesis abstract: In the introduction to the first chapter of her book On Photography, specifically in the well-known text on the fragment of the film Les Carabiniers (1963) by Jean-Luc Godard, Susan Sontag refers to postcards with a certain contemptuous tone within the world of photography. In the text, Sontag refers to the moment when the soldiers return home loaded with postcards, opening our eyes to see photography not as a means of capturing the surroundings, but as a way in which the photo trade takes advantage of the medium to objectify and trivialize those views that, transformed into postcards, can be commercially profitable.Precisely that position of the postcard, apparently only commercial, but also naive, is the starting point of this thesis, which has set itself the objective of placing the postcard on the level and pedestal that, in my opinion, it deserves.The thesis is structured in three chapters, and is materialized in three tourist guides that illustrate, in turn, four albums of postcards.1. The postcardLooking at it from the first decades of the 21st century, we cannot even imagine the great importance and transcendence that a postcard could have had at the beginning of the sixties of the last century, without going any further back. Its documentary value, as well as the visual and communicative information it provided, is unimaginable today. The first chapter shows a journey through the meaning, importance, typologies, historical framework, social uses and transcendence of the postcard-object. 2. ¿Greetings from USA¿ / Saludos desde España.The second chapter focuses on showing the backward situation of Spain, mainly its image, at the end of the fifties, and its evolution throughout the developmentalist stage, as well as the American reality of the same period, which will be referential and decisive in the modernization of our country. This chapter traces a journey along the prototypes of modernity through its images, the new modern monuments, fruit of capitalism and consumption. The image of the United States was disseminated through the country¿s cultural and entertainment industries, including of course ¿although it has not been taken too seriously up to date ¿ postcards. Spain, like the rest of the Western European countries, desired a more comfortable life, with more free time for leisure and consumption, an attitude that provoked, at least in Spain, a drift towards Americanization. 3. Visual analysis of postcards.The third and last chapter focuses on the visual analysis of the front of the postcard: the content, the image, the photography, the graphics, the intentions of its designs, its manipulation, the trend and the insistence on certain patterns. The underdevelopment of the country, and that almost unbridled desire for openness, will multiply and exaggerate a carefree and optimistic image. Precisely the paradoxical duality between the identity of the hitherto Spanish and its modernization is what will result in an image full of disconnections, which originates an almost new graphic genre dominated by Spanishness and the most pop kitsch. It is important to emphasize the generalized and, above all, massive aspect that the postcard represents in the diffusion of the country¿s image: hundreds, thousands, hundreds of thousands of images are printed and sent, recreating with the same visual ¿tics¿ the Spanish reality of the moment.

Last update: 20/05/2022 04:30:19.

List of defended theses by year

  • ACOSTA MEJIA, BORIS: Heterotopía en Foucault y su utilidad en el análisis de la arquitectura posmoderna: la singularidad generalizada
    Author: ACOSTA MEJIA, BORIS
    Thesis link: http://hdl.handle.net/10803/673593
    Programme: DOCTORAL DEGREE IN THEORY AND HISTORY OF ARCHITECTURE
    Department: (THATC)
    Mode: Temporary seizure
    Reading date: 14/01/2022
    Thesis director: MARTÍNEZ TORO, PEDRO MARTÍN

    Committee:
         PRESIDENT: RAMÍREZ NIETO, JORGE VICENTE
         SECRETARI: FLOREZ GONZALEZ, FERNANDO
         VOCAL NO PRESENCIAL: DÁVILA CRUZ, CARLOS ALBERTO
    Thesis abstract: This thesis looks at the original notion of heterotopia, followed by its interpretations and applications of different authors and disciplines. The course that takes this notion -from the strange to the generalised-, becomes a possibility to understand the nature of postmodern architecture; recognising it as heterotopic facilitates to assimilate its paradox: looking for the singularity one finds with the `urbanalización¿.The purpose of this dissertation is to analyse the notion of heterotopia proposed by Michel Foucault in his conference Des Espaces Autres, and the turn that is given, later to incorporate it into the understanding of architecture and the postmodern city. With a qualitative approach, it starts from Foucault's embryonic concept, covering its context and its theoretical scope, through its decomposition. Foucault formulated the notion of heterotopia as a tool (unrestricted), to controvert spatial aspects of his contemporaneity; but it does not include an explicit architectonical disciplinary look. For this, both the reflexive critic and the architectonical exploration, worked, special attention is given to the interpretations and applications given as an instrument.Having as a pillar, the Foucauldian idea of "toolbox", in this study, it was possible to give a new interpretation to the notion of heterotopia: it is useful for interpreting features of buildings and cities in postmodernity. In this sense, it is argued that the heterotopic nature ¿ `the other¿- is in the essence of the postmodern. This served to conclude that, from the singular, `the other¿ (meaning, the strange), the heterotopic, in the postmodern architecture, can be understood as forms others (in relation with the modern). This becomes a paradox: the singular generalised as new order. Which produces, intentionally, others places, because the spatial syntaxis of the city is modified; that is to say, it turns the city an `other¿ place.

  • NAVARRO GONZÁLEZ, RUBÉN: El vol de l'ararauna. Arquitectura de Xavier Busquets Sindreu entre São Paulo i Barcelona (1947-1963)
    Author: NAVARRO GONZÁLEZ, RUBÉN
    Thesis link: http://hdl.handle.net/10803/673729
    Programme: DOCTORAL DEGREE IN THEORY AND HISTORY OF ARCHITECTURE
    Department: (THATC)
    Mode: Normal
    Reading date: 21/02/2022
    Thesis director: GRAUS ROVIRA, RAMON | ROSELL COLOMINA, JAUME

    Committee:
         PRESIDENT: MELLO DE CARVALHO E SILVA, JOANA
         SECRETARI: GARCIA ESTEVEZ, CAROLINA BEATRIZ
         VOCAL: SUSTERSIC, PAOLO
    Thesis abstract: This thesis explores the life and works of the Catalan architect Xavier Busquets Sindreu (1917-1990), focusing on his earlier professional stages, the exceptional training he acquired in São Paulo between 1951 and 1955, and how he adapted this knowledge to the Catalan reality of the time when he returned to Barcelona.The research has been mainly based on the study of the documentary collection kept by the Historical Archive of the Chamber of Architects of Catalonia, a valuable material containing many of the works built by Busquets. The complex reality of São Paulo during the 1950s has been approached through secondary sources. In order to contextualize other aspects of his biography, we have also researched in other institutions, such as the Barcelona School of Architecture, the Royal Catalan Academy of Fine Arts of Sant Jordi, the Monastery of Montserrat and the Ministry of the Army. As Busquets had no direct descendants and his most personal documentation was destroyed, we finally have sought the testimony of people who knew him professionally or were part of his family circle.As a first son of the well-known architect Guillem Busquets Vautravers and Maria Sindreu i Oliva, members of the Barcelona bourgeoisie at the beginning of the twentieth century, young Busquets grew up in a Germanophile family environment characterized by language proficiency and intellectual and artistic inquisitiveness. But his academic career lacked perseverance and was interrupted on several occasions by a controversial participation in the Spanish Civil War and World War II.After the war, and already a qualified architect, Busquets arrived in Brazil, where he came to work with two renowned international professionals in architecture: the Polish Lucjan Korngold and the German Adolf Franz Heep, both coming from a solid branch of the European architectural modernity as disciples of undisputed masters such as Adolf Meyer or Le Corbusier.After experiencing the throbbing momentum of São Paulo and participating in projects such as the Lausanne, Lucerne and Araraúnas buildings, Busquets had to reconsider the lessons of this training when returning to Catalonia, modulating this exceptional basis and starting a process of adaptation and consolidation in search of a professional practice of his own. This would lead to significant works, such as the Bellvitge housing estate, the residential units on Escoles Pies, Dalmases or Carulla streets in Barcelona and a series of corporate buildings such as the seat of the Chamber of Architects of Catalonia in Plaça Nova or the company headquarters for Caixa d¿Estalvis i Mont de Pietat and Mutua General de Seguros on Diagonal Avenue, Sandoz on Gran Via de les Corts Catalanes, the Société Générale de Banque in Plaça Catalunya, or Hispano Olivetti in Madrid.These works came along with other remarkable events, such as Busquets¿ involvement in one of the first meetings of Team X, the III Hispano-American Biennial of Art and the founding of the early Museum of Contemporary Art in Barcelona, alongside his collection of pieces of art, designed to bedeck the unique spaces of his home.A man of the world and cultured architect, always attentive to international current affairs, Busquets practiced a sometimes hybrid and heterodox architecture that raises issues such as the modernization of the architectural office, the role of arts in architecture, the legacy of European rationalism, the efforts to rationalize and industrialize construction or the technological references to the American-shifted International Style, among others. Therefore, Busquets has not always been easy to fit into the local narrative of modern Catalan architecture during the second half of the twentieth century. But for these and other reasons that the thesis tries to show, we advocate that Busquets¿ work, which was extensive and profound, may be of an interest greater than what it may have risen so far.

Last update: 19/05/2022 05:01:04.

Theses related publications

AUTHOR:NAVARRO GONZÁLEZ, RUBÉN
Title:El vol de l'ararauna. Arquitectura de Xavier Busquets Sindreu entre São Paulo i Barcelona (1947-1963)
Reading date:21/02/2022
Director:GRAUS ROVIRA, RAMON
Co-director:ROSELL COLOMINA, JAUME
Mention:No mention
RELATED PUBLICATIONS
Xavier Busquets Sindreu: Vivienda moderna entre Sao Paulo y Barcelona (1951-1962)
1er Congreso Internacional de la Asociación de Historiadores de la Arquitectura y del Urbanismo : Los años CIAM en España: la otra modernidad
Presentation date: 19/10/2017
Presentation of work at congresses

AUTHOR:ALCÁZAR SERRAT, TOMÀS IVAN
Title:Altres espais per a l'escena. Entitats reciclades, Associacions Culturals i Fàbriques de Creació a Barcelona (1976-2020)
Reading date:26/11/2021
Director:RAMON GRAELLS, ANTONI
Mention:No mention
RELATED PUBLICATIONS
L'arquitectura dels ateneus
Federació d'Ateneus de Catalunya
Publication date: 2015
Book chapter

Els teatres dels Ateneus: rehabilitació i transformació
Institut Català de Recerca en Patrimoni Cultural
Publication date: 2018
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Refugios, edificios, intersticios: Espacios escénicos y reciclajes urbanos en Barcelona
Visor Libros
Publication date: 2021
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Un barrio en obras: sobre Una vella, coneguda olor, en los 50 años de su estreno
Alcázar, T.
Telondefondo: revista de teoría y crítica teatral, ISSN: 1669-6301 (JCR Impact Factor-2018: 0.0
Publication date: 01/12/2014
Journal article

Recepción del teatro de Krystian Lupa en la escena catalana y española (2002–2016)
Anuari Trilcat, ISSN: 2014-4644
Publication date: 2017
Journal article

Les cités du théâtre. Des acteurs de rénovation urbaine et des "espaces autres"
Revue d'histoire du théatre, ISSN: 1291-2530 (JCR Impact Factor-2019: 0.1; Quartil: Q4)
Publication date: 2019
Journal article

Al refugi, a l’edifici i a la intempèrie : quatre casos de reciclatge en l’arquitectura teatral
Estudis Escènics. Quaderns de l’Institut del Teatre, ISSN: 2385-362X (JCR Impact Factor-2020: 0.0
Publication date: 2019
Journal article

(Altres) espais per a l'escena: Els espais escènics del cicle Bona gent, de Roger Bernat
I Congrés Internacional del Grup de Recerca en Arts Escèniques
Presentation date: 01/03/2012
Presentation of work at congresses

Barcelona: Teatrical Spaces in the folds of the city
Prague Quadrennial of Performance Design and Space
Presentation date: 27/06/2015
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Al refugi, a l’edifici i a la intempèrie
I Simposi internacional de la revista Estudis Escènics
Presentation date: 27/09/2018
Presentation of work at congresses

Fabià Puigserver: la renovación de la escenografía española que vino de Polonia
I Miedzynarodowa Konferencja Naukowa Teatralnosc – Antyteatralnosc: Badania transdyscyplinarne i scenologiczne nad teatrem wspólczesnym
Presentation date: 20/11/2019
Presentation of work at congresses

Refugios, edificios, intersticios... Espacios escénicos y reciclajes urbanos en Barcelona
IV Congreso Internacional Performa
Presentation date: 28/11/2019
Presentation of work at congresses

AUTHOR:AUBÁN BORRELL, MÓNICA
Title:Memorias de la ciudad sin historia. La importancia de los afectos en la construcción y en las vivencias del barrio de La Mina
Reading date:15/09/2021
Director:LLORENTE DIAZ, MARTA
Mention:No mention
RELATED PUBLICATIONS
Hacia un diseño urbano participativo y situado como estrategia de reconstrucción
Universidad de Talca
Publication date: 2018
Book chapter

Paseos por Saturno. El miedo en la percepción y producción de espacios frágiles
Abada
Publication date: 15/11/2019
Book chapter

La Ciudad dividida: el territorio de la informalidad como campo afectivo.
Auban, M.
Abriu. Estudos de textualidad do Brasil, Galicia e Portugal, ISSN: 2014-8526 (JCR Impact Factor-2016: 0.0
Publication date: 2016
Journal article

Aprendiendo de la informalidad: participación comunitaria y enfoque situado como marco para la reconstrucción
Auban, M.; Corvalán, F.
Revista de urbanismo, ISSN: 0717-5051
Publication date: 06/2016
Journal article

La dignidad de los márgenes : aproximaciones afectivas a la ciudad informal
Revista INVI, ISSN: 0718-1299 (JCR Impact Factor-2017: 0.271; Quartil: Q1)
Publication date: 01/01/2017
Journal article

Afecto: concepto + contexto. La práctica arquitectónica como espacio relacional
Auban, M.
Revista de arquitectura (Santiago), ISSN: 0716-8772 (JCR Impact Factor-2020: 0.0
Publication date: 29/05/2017
Journal article

Lugares comunes
Auban, M.
Revista de arquitectura, ISSN: 0327-330X (JCR Impact Factor-2009: 0.0
Publication date: 31/12/2018
Journal article

La ciudad consumida. Escenografías para la (sobre)estetización del espacio público contemporáneo.
VII Jornadas Internacionales Arte y Ciudad
Presentation date: 19/11/2015
Presentation of work at congresses

Ciudades desechables. La informalidad como territorio para la disidencia afectiva.
Residuos Emocionales
Presentation date: 15/03/2016
Presentation of work at congresses

El vacío apropiado. Prácticas micro-políticas en el espacio público contemporáneo
LIII Congreso de Filosofía Joven: Lógicas del Presente
Presentation date: 12/05/2016
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Becoming City? Smooth Spaces and Virtual Territories in Informal Urban Settlements
Virtuality, Becoming and Life
Presentation date: 11/07/2016
Presentation of work at congresses

Los paisajes olvidados de la ciudad frágil. El barraquismo como elemento característico de la periferia industrial de Barcelona
II Jornadas Internacionales de Investigación sobre Paisaje, Patrimonio y Ciudad
Presentation date: 26/04/2018
Presentation of work at congresses

“De Perros Callejeros a Bien Duro. Influencias de la estética quinqui en el imaginario del barrio de La Mina
IX Jornadas Internacionales Arte y Ciudad
Presentation date: 21/10/2020
Presentation of work at congresses

AUTHOR:BITRIÁN VAREA, CARLOS
Title:Espacio y memoria: Un viaje por las ruinas de la guerra civil española
Reading date:14/09/2020
Director:LLORENTE DIAZ, MARTA
Mention:No mention
RELATED PUBLICATIONS
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Abada
Publication date: 15/11/2019
Book

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Abada
Publication date: 15/11/2019
Book chapter

Apuntes sobre la historia arquitectónica del real monasterio de Sijena en el siglo XIX
Argensola, ISSN: 0518-4088
Publication date: 2020
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El ámbar espacial de Marià Castelló
Palimpsesto, ISSN: 2014-9751 (JCR Impact Factor-2020: 0.0
Publication date: 2021
Journal article

La fragilidad del paisaje urbano histórico. Desprotección y pérdida de la arquitectura tradicional y popular en el caso de Zaragoza
II Jornadas internacionales de investigación sobre Paisaje, Patrimonio y Ciudad, Aproximaciones contemporáneas al paisaje urbano 2018
Presentation date: 04/2018
Presentation of work at congresses

AUTHOR:RODRÍGUEZ PEDRET, MARÍA CARMEN
Title:El vademécum de la ciudad. París y Barcelona en las guías y descripciones urbanas. 1750 - 1920.
Reading date:25/01/2018
Director:LLORENTE DIAZ, MARTA
Award:
Mention:No mention
RELATED PUBLICATIONS
Notas sobre el turismo de la miseria : lugares y figurantes de la precariedad
Abada
Publication date: 15/11/2019
Book chapter

La mística del mirador: ciudades a vista de pájaro
La Cultura y la ciudad: imagen y representaciones de lo urbano, ciudades históricas y eventos culturales 2015
Presentation date: 15/04/2015
Presentation of work at congresses

Más allá del registro: la fotografía y los viajes en el aprendizaje de la arquitectura. Escuela de Arquitectura de Barcelona. 1901-1923-Beyond the record: photography and travel related to learning architecture. Barcelona School of Architecture. 1901-1923
I Jornadas sobre Investigación en Historia de la Fotografía
Presentation date: 30/10/2015
Presentation of work at congresses

Research projects

START DATEEND DATEACTIVITYFINANCING ENTITY
01/09/201931/08/2022A CANON of Theatre Technical HistoryCommission of European Communities
14/01/201928/02/2019Redacció d’un guió per a un vídeo d’uns 8’ de durada sobre la història de l’arquitectura de Barcelona per al Museu d’Història de Barcelona. Localització i selecció del material gràfic amb el qual es pINSTITUT DE CULTURA DE BARCELONA
07/01/201931/01/2020Contrato de servicios entre la Fundación ICO y la UPC para el Diseño de la Exposición Ideas de casas mediterráneas en el Museo ICO, dentro del programa de actividades del área de arte para el año 2019FUNDACION ICO
07/01/201931/03/2020Contrato de servicios entre la Fundación ICO y la UPC para el comisariado de la Exposición Ideas de casas mediterráneas en el Museu ICO, dentro del programa de actividades del área de arte en el 2019FUNDACION ICO
01/01/201931/12/2021Indicadores socio-espaciales para la mejora del parque habitacional en zonas vulnerables. Criterios de actuación en los casos de las Áreas Metropolitanas de Barcelona y BilbaoAGENCIA ESTATAL DE INVESTIGACION
01/03/201828/02/2019CCD 2018-O031 Proyecto de fortalecimiento de la comunidad refugiada en el asentamiento informal situado en el exterior del Centro de Detención de Moria, mejora y adecuación de las infrastructures.Centre de Cooperació per al Desenvolupament , UPC
01/01/201831/12/2020La revolución del entorno cotidiano obrero y popular: vivienda y espacio urbano en el distrito de Nou Barris de Barcelona, 1950-1975AGENCIA ESTATAL DE INVESTIGACION
01/01/201831/12/2020La arquitectura española en los medios de comunicación internacionales: publicaciones, exposiciones, congresos (Primera parte: 1940-1975)AGENCIA ESTATAL DE INVESTIGACION
16/11/201729/12/2017Ideació d’una producció videogràfica sobre els mercats de ferro i BarcelonaAjuntament de Barcelona
14/11/201731/12/2018Actualització del Pla d'acció cultural d'Esparraguera: Teatre de La Passió d'Esparreguera.Diputació de Barcelona
01/11/201731/10/2019DIAGNOSIS Innovating a crucial profession in Building and construction sectorEuropean Commission
26/10/201730/04/2018Realització d'un treball tècnic sobre l'estat actual de les sales privades de Catalunya excepte de Barcelona.INSTITUT CATALA DE LES EMPRESES
27/07/201731/03/2018Els teatres privats: anàlisis de l'estat actual i propostes d'intervencio en matèria d'accessibilitat, seguretat i dotació d'equipament.CONSORCI DEL PLA DE REHABILITACIO I
04/04/201730/09/2017Modificació i adaptació normativa del projecte bàsic de rehabilitació, reforma i ampliació del teatre de les RoquetesAJUNTAMENT SANT PERE DE RIBES
29/03/201711/05/2017Ponència/'Fer ciutat a través dels mercats/' el 31 de març de 2017INSTITUT DE CULTURA DE BARCELONA
30/01/201730/04/2017Estudi històric del Teatre ArnauAjuntament de Barcelona
01/01/201731/12/2019ARQUITECTURA, CIUTAT I CULTURA. UNA PERSPECTIVA INTERDISCIPLINÀRIA I ANTROPOLÒGICA: CULTURA I PENSAMENT FRONT L'ESPAI URBÀAgència de Gestió d'Ajuts Universitaris i de Recerca (Agaur)
30/12/201631/12/2020Observatorio de Espacios Escénicos: Cartografía teatral: EspañaMIN DE ECONOMIA Y COMPETITIVIDAD
22/06/201631/12/2016Comissariat de l'exposició/'Mercat i Ciutat: memòria del Born/'INSTITUT DE CULTURA DE BARCELONA
01/10/201530/11/2015Flexibilitat i jerarquies de gènere a les tipologies residencials del Patronat Municipal de l'Habitatge de BarcelonaAjuntament de Barcelona; Patronat Municipal de l'Habitatge de Barcelona
12/03/201513/11/2015Redacció d'un llibre sobre/'L'arquitectura del mercat del Born i la seva restauració/'INSTITUT DE CULTURA DE BARCELONA
27/01/201531/03/2015Tasques de redactor d'un article a l'obra Homenatge a la RepúblicaARA LLIBRES, Sccl
01/01/201531/12/2018Topología del espacio urbano: reconocimiento, análisis y cartografía de espacios frágiles en la ciudad contemporáneaMIN DE ECONOMIA Y COMPETITIVIDAD

Teaching staff and research groups

Research projects

START DATEEND DATEACTIVITYFINANCING ENTITY
01/09/201931/08/2022A CANON of Theatre Technical HistoryCommission of European Communities
14/01/201928/02/2019Redacció d’un guió per a un vídeo d’uns 8’ de durada sobre la història de l’arquitectura de Barcelona per al Museu d’Història de Barcelona. Localització i selecció del material gràfic amb el qual es pINSTITUT DE CULTURA DE BARCELONA
07/01/201931/01/2020Contrato de servicios entre la Fundación ICO y la UPC para el Diseño de la Exposición Ideas de casas mediterráneas en el Museo ICO, dentro del programa de actividades del área de arte para el año 2019FUNDACION ICO
07/01/201931/03/2020Contrato de servicios entre la Fundación ICO y la UPC para el comisariado de la Exposición Ideas de casas mediterráneas en el Museu ICO, dentro del programa de actividades del área de arte en el 2019FUNDACION ICO
01/01/201931/12/2021Indicadores socio-espaciales para la mejora del parque habitacional en zonas vulnerables. Criterios de actuación en los casos de las Áreas Metropolitanas de Barcelona y BilbaoAGENCIA ESTATAL DE INVESTIGACION
01/03/201828/02/2019CCD 2018-O031 Proyecto de fortalecimiento de la comunidad refugiada en el asentamiento informal situado en el exterior del Centro de Detención de Moria, mejora y adecuación de las infrastructures.Centre de Cooperació per al Desenvolupament , UPC
01/01/201831/12/2020La revolución del entorno cotidiano obrero y popular: vivienda y espacio urbano en el distrito de Nou Barris de Barcelona, 1950-1975AGENCIA ESTATAL DE INVESTIGACION
01/01/201831/12/2020La arquitectura española en los medios de comunicación internacionales: publicaciones, exposiciones, congresos (Primera parte: 1940-1975)AGENCIA ESTATAL DE INVESTIGACION
16/11/201729/12/2017Ideació d’una producció videogràfica sobre els mercats de ferro i BarcelonaAjuntament de Barcelona
14/11/201731/12/2018Actualització del Pla d'acció cultural d'Esparraguera: Teatre de La Passió d'Esparreguera.Diputació de Barcelona
01/11/201731/10/2019DIAGNOSIS Innovating a crucial profession in Building and construction sectorEuropean Commission
26/10/201730/04/2018Realització d'un treball tècnic sobre l'estat actual de les sales privades de Catalunya excepte de Barcelona.INSTITUT CATALA DE LES EMPRESES
27/07/201731/03/2018Els teatres privats: anàlisis de l'estat actual i propostes d'intervencio en matèria d'accessibilitat, seguretat i dotació d'equipament.CONSORCI DEL PLA DE REHABILITACIO I
04/04/201730/09/2017Modificació i adaptació normativa del projecte bàsic de rehabilitació, reforma i ampliació del teatre de les RoquetesAJUNTAMENT SANT PERE DE RIBES
29/03/201711/05/2017Ponència/'Fer ciutat a través dels mercats/' el 31 de març de 2017INSTITUT DE CULTURA DE BARCELONA
30/01/201730/04/2017Estudi històric del Teatre ArnauAjuntament de Barcelona
01/01/201731/12/2019ARQUITECTURA, CIUTAT I CULTURA. UNA PERSPECTIVA INTERDISCIPLINÀRIA I ANTROPOLÒGICA: CULTURA I PENSAMENT FRONT L'ESPAI URBÀAgència de Gestió d'Ajuts Universitaris i de Recerca (Agaur)
30/12/201631/12/2020Observatorio de Espacios Escénicos: Cartografía teatral: EspañaMIN DE ECONOMIA Y COMPETITIVIDAD
22/06/201631/12/2016Comissariat de l'exposició/'Mercat i Ciutat: memòria del Born/'INSTITUT DE CULTURA DE BARCELONA
01/10/201530/11/2015Flexibilitat i jerarquies de gènere a les tipologies residencials del Patronat Municipal de l'Habitatge de BarcelonaAjuntament de Barcelona; Patronat Municipal de l'Habitatge de Barcelona
12/03/201513/11/2015Redacció d'un llibre sobre/'L'arquitectura del mercat del Born i la seva restauració/'INSTITUT DE CULTURA DE BARCELONA
27/01/201531/03/2015Tasques de redactor d'un article a l'obra Homenatge a la RepúblicaARA LLIBRES, Sccl
01/01/201531/12/2018Topología del espacio urbano: reconocimiento, análisis y cartografía de espacios frágiles en la ciudad contemporáneaMIN DE ECONOMIA Y COMPETITIVIDAD

Quality

The Validation, Monitoring, Modification and Accreditation Framework (VSMA Framework) for official degrees ties the quality assurance processes (validation, monitoring, modification and accreditation) carried out over the lifetime of a course to two objectives—the goal of establishing coherent links between these processes, and that of achieving greater efficiency in their management—all with the overarching aim of improving programmes.

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